After submerging into a bowl of menudo, an undocumented Mexican immigrant in the U.S. embarks on a surreal journey through his memories in Mexico in search of the rosary his mother gave him before he left the country 30 years ago.

Comedian and first-generation immigrant Henning Wehn leads an irreverent guide to life in Britain from the perspective of some of its most notoriously polarising inhabitants. From the big issues to the almost overlooked minutiae of British life that we take for granted, An Immigrant's Guide To Britain asks the big questions every prospective immigrant needs to know, such as: Can you learn to banter? What exactly do upper class people do? Is it good to swear at work? Why do we let animals sleep in our bedrooms? And is it possible to collect 100 'sorries' from the British public?

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Rustom works in a small government office in the countryside. Life for Rustom is wandering from place to place in the small town, spending time with Kapil who works on the suburban trains, living with the eccentricities of his boss, and being magically transported into his imaginary other world in the far reaches of this beautiful and lonely countryside which maybe undergoing a quiet upheaval that may disturb it's dark and mysterious worlds forever.

Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.

An illegal immigrant works as a mini cab driver in the seedy areas of Soho. One night a desperate prostitute on the run from her brutal pimp gets into his cab and begs for help.

http://www.youtube.com/watch?v=dq7GMJH9qFc 4 min

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Leningrade. Galina works as a restorer at Catherine Palace; she is a sculptor as well and takes her profession very seriously and enthusiastically. Vera, a friend from art school, sees her loneliness and introduces her to her husband's colleagues - friendly Mitya and mysterious Andrey. Soon Galina finds herself torn between the two men.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.